on a large TV screen (on smartphone there isn't any noticeable difference, on TV the 18 Mbps editions looks soapy). Pushing delivery bitrate higher than the camera acquisition bitrate looks like putting your $20 into a bigger vallet in the hope for some gain.Īnd yes, I definitely see the visual difference between 18 and 36 Mbps editions of my delivery, esp. Thus in my humble opinion, 36 Mbps is quite a fair bitrate for H.264 delivery which is intended to be a "master" copy. So the final delivery at 36 Mbps makes sense - it looks like the deliveries retain exactly whatever the camera has acquired, and without a perceivable IQ loss. Well, both my cameras (Fuji X-T20 and X-E3 internal guts are identical) are doing FHD 1920x1080 at 36 Mbps H.264 no matter what frame rate is.
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